- SYSPLEX Film & SYSPLEX Media
SYSPLEX OFFERS MULTIPLE RED EPIC DRAGON CAMERAS!
A WHOLE NEW
With the 6K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.
BIGGER IS BETTER
Resolution is more than just attention to detail. From large objects to granule textures, 6K images cultivate the nuance of every image, leaving nothing behind. Improvements to micro-contrast and MTF produce a cleaner image, drastically reducing moiré and aliasing artifacts. When outputting 6K files to 4K or HD, your image will appear more refined and detailed compared to those captured at lower resolutions. The choice is simple; Bigger is better.
Just because your specs changed, doesn’t mean your gear has to. All existing accessories, rail components, and modules designed for EPIC-X or M are compatible regardless of what sensor is installed. Instead of making your accessories obsolete, RED proudly takes great care in making sure your equipment lasts as long as possible. Change has never been so easy.
MOTION CAMERA? BOTH
6K resolution translates to over 19 MP, packing the same detail you expect from your DSLR into a cinema camera. When you can capture up to 100 frames per second at full resolution, you get 100 chances per second to capture the perfect picture. Every still is raw and Adobe Photoshop compatible, which means your workflow doesn’t need to change—even if technology does. The RED DRAGON sensor blurs the line between motion and still cameras, giving you the best of both worlds.
The RED DRAGON offers dynamic range that was once thought impossible for a digital sensor. Such wide latitude provides cinematographers and photographers alike with the ability to take on challenging lighting conditions, without the need for excessive filtration. Improved low-light capabilities let you shoot at ISO 2000 and still produce a clean image fit for theatres or publication. Dilated exposure and improved sensitivity makes it easier to take on the unpredictable and capture the unbelievable.
Leica-M, Canon, Nikon, and PL lenses are all compatible with EPIC DRAGON cameras. All mounts are easy to swap out and are engineered to fit precisely, without ever having to adjust back focus. A redesigned sensor window allows for the use of wider Leica-M and Angenieux lenses, while also providing a larger field of view when shooting. Every lens is a new perspective and the EPIC DRAGON lets you pick the one that works for you.
Your image is only as good as the color science behind it. The new RED DRAGON® sensor features our most advanced color science yet, taking advantage of vastly improved dynamic range and low-light capabilities. Skin tones are softer, primary colors are more vibrant, and subtle color variations are discernibly remarkable. EPIC DRAGON cameras capture images that are true to life, with colors that can only be described as “brilliant”.
REDMAG SSD media is a solid state media solution for your EPIC DRAGON camera. Storage capacities of 48GB, 64GB, 128GB, 256GB and 512GB allow you to choose the media that fits your storage and budgetary requirements for any production. For the fastest data rates and lowest compression, the 512GB REDMAG serves as the ideal candidate for optimal image acquisition. Reliable, simple and tough—with REDMAG SSDs, your media is covered.
|SENSOR||19 Megapixel RED DRAGON®|
|PIXEL ARRAY||6144 (h) x 3160 (v)|
|MAX IMAGE AREA||6144 (h) x 3160 (v)|
|S/N RATIO||80 dB|
|LENS COVERAGE||Equivalent to S35mm (Motion)/APS-H (Still) lenses|
|MAX DEPTH OF FIELD||6144 (h) x 3160 (v)|
|PROJECT TIMEBASE||23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions|
|RECORDING FRAME RATES||1–100 fps @ 6K
1–120 fps @ 5K
1–150 fps @ 4K
1–200 fps @ 3K
1–300 fps @ 2K
|REDCODE® COMPRESSION||Compression choices of 22:1 to 2:1|
|6K (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)
5.5K (FF, 2:1, 2.4:1, 16:9, 4:1, 8:1, and Anamorphic 2x, 1.3x)
5K (FF, 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)
4.5K (FF, 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Anamorphic 2x, 1.3x)
4K (FF, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)
3.5K (FF, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 4:1, 8:1, and Anamorphic 2x, 1.3x)
3K (FF, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)
2.5K (FF, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 4:1, 8:1, and Anamorphic 2x, 1.3x)
2K (F, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)
|DELIVERY FORMATS||4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
|PROGRAM OUTPUT||3G-SDI (HD-SDI) Clean Feed
1080p RGB or 4:2:2, 720p 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
|MONITOR OUTPUT||3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around
1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
|MONITOR OPTIONS||RED Touch 5.0″ LCD
RED PRO 7″ LCD
RED Touch 7.0″ LCD
RED Touch 9.0″ LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
|DIGITAL MEDIA (SSD)||REDMAG™ 1.8″, RED MINI-MAG®|
|AUDIO||2 channel, uncompressed, 24-bit, 48 kHz
Optional 4 channel, and AES / EBU digital audio
|REMOTE CONTROL||REDLINK® Wireless, Ethernet, RS232, GPI Trigger|
|WEIGHT||5 lbs (BRAIN only)|