- SYSPLEX Film & SYSPLEX Media
SYSPLEX OFFERS MULTIPLE RED EPIC X CAMERAS!
EPIC ushers in the next generation of digital cinema, featuring a 5K sensor capable of capturing 1 to 120 frames per second at full resolution. From fashion spreads to 3D IMAX features, EPIC has crossbred elite photography with unrivaled cinema capability—all in a camera the size of a DSLR. In challenging lighting conditions, EPIC makes it easy to adapt with its ability to reach up to 18 stops of dynamic range with HDRx. Remarkable technology packed into a 5lb body – with EPIC, less is more.
Consistent with RED’s high-resolution lineage, EPIC has made large format distribution accessible and easy. 5K images make it possible for you to streamline your footage for IMAX applications, giving you the most resolution for stills and motion workflows. No matter the size of your project, 5K gives you every opportunity to be EPIC.
Whether you’re shooting a spread for Esquire or an IMAX-ready blockbuster, EPIC’s stunning 5K images fit every facet of distribution. Precisely engineered to exceed even the highest standards, EPIC features advanced technology that sets the precedent for cinema and photographic excellence. With DSMC functionality, you’ll be able to capture a breadth of video and stills all at once. Any lens. Every job. One EPIC.
ANY LENS ANY TIME
No project is ever the same. Which is why EPIC features interchangeable lens mounts to ensure you get the look you want every time. With mounts for Nikon, Leica, Canon, and PL glass, you’ll never be short of options to pick and choose from. Equip yourself to express your vision with EPIC and DSMC technology.
HDR. TO THE POWER OF X.
HDRx technology yields up to 18 stops of dynamic range, dilating your exposure in even the most challenging lighting conditions. EPIC offers up to 4 more stops of latitude than its 35mm and DSLR counterparts, helping cinematographers and photographers alike make the impossible possible. With HDRx, dynamic range is finally dynamic.
REDCINE-X PRO software provides you with a wealth of integrated tools to import, finish, and export your images within minutes. Offload your media using one of our RED STATIONS and process your footage with familiar grading modules and filters. Whether you’re working with a stills or motion workflow, REDCINE-X PRO hosts an array of advanced features to support your workflow from end to end. Take advantage of your RAW potential with REDCINE-X PRO—available free only on RED.com.
EPIC is the only 5K solution for lightweight 3D image acquisition, ideal for theatrical and IMAX applications. Small form factor and broad compatibility is important for efficient 3D production, which is why 3ality Technica was inspired to create their compact ATOM 3D rig exclusively for the EPIC. Once you’ve shot your footage, bring your project into REDCINE-X PRO for easy 3D grading, viewing, and exporting. EPIC adds another dimension to what you once thought was possible.
LOAD YOUR MAG
REDMAG SSD media provides a solid, dependable media solution with storage capacities from 64GB, 128GB, and 256GB. Capable of reaching speeds up to 180 mb/s, REDMAG media is 2x faster than traditional CF cards—making it easier to offload the 160,000+ RAW frames you can capture with one SSD
|PIXEL ARRAY||5120 (h) x 2700 (v)|
|DYNAMIC RANGE||13.5+ stops, up to 18 stops with HDRx®|
|S/N RATIO||66 dB|
|LENS COVERAGE||27.7 mm (h) x 14.6 mm (v) = 31.4 mm (d)|
|MAX DEPTH OF FIELD||Equivalent to S35mm (Motion)/APS-H (Still) lenses|
|PROJECT TIMEBASE||23.98, 24, 25, 29.97, 47.96, 48, 50, 59.97 fps, all resolutions|
|RECORDING FRAME RATES||1–120 fps @ 5K
1–150 fps @ 4K
1–200 fps @ 3K
1–300 fps @ 2K
|REDCODE® COMPRESSION||Compression choices of 18:1 to 3:1|
|5K (Full Frame, 2:1, 2.4:1, 16:9, 1.22:1 and Anamorphic 2x 1.22:1)
4K (Full Frame, 2.4:1, 16:9 “UHD”)
3K (Full Frame, 2.4:1, 16:9)
2K (Full Frame, 2.4:1, 16:9 “HD”)
1K (2.4:1, 720p “HD”)
|DELIVERY FORMATS||4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
|PROGRAM OUTPUT||3G-SDI (HD-SDI) Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
|MONITOR OUTPUT||3G-SDI (HD-SDI) and HDMI with Frame Guides and Look Around or Clean Feed
1080p 4:2:2, 720p 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
|MONITOR OPTIONS||RED Touch 5.0″ LCD
RED PRO 7″ LCD
RED Touch 7.0″ LCD
RED Touch 9.0″ LCD
BOMB EVF (LCOS) High Definition Viewfinder
BOMB EVF (OLED) High Definition Viewfinder
|DIGITAL MEDIA (SSD)||REDMAG® 1.8″, RED MINI-MAG®|
|AUDIO||2 channel, uncompressed, 24-bit 48 kHz
Optional 4 channel, and AES/EBU digital audio
|REMOTE CONTROL||REDLINK® Wireless, Ethernet, RS232, GPI Trigger|
|WEIGHT||5 lbs (BRAIN only)|